Yamaha CLP-F01 Clavinova - Инструкция по эксплуатации - Страница 9

CLP-F01

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9

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ñËÙÓ‚Ó ÔˇÌËÌÓ Yamaha Clavinova CLP-F01 Ô‰ÒÚ‡‚ÎflÂÚ ÌË Ò ˜ÂÏ Ì  Ò‡‚ÌËÏÛ˛ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û͇ Ë 
‚ÓÁÏÓÊÌÓÒÚ¸ Ë„˚ ‚ ÚÂÏ· ÓflÎfl, ÓË„Ë̇θÌÛ˛ ÚÂıÌÓÎӄ˲ „ÂÌÂ‡ˆËË ÚÓ̇ ÍÓÔÓ‡ˆËË Yamaha - «AWM 
Dynamic Stereo Sampling» ‰Îfl ÒÓÁ‰‡ÌËfl ̇Ò˚˘ÂÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ÚÂÏ·Ó‚ Ë ÒÔˆˇθÌÛ˛, ÔÓÍ˚ÚÛ˛ 
‰Â‚ÓÏ Í·‚ˇÚÛÛ «Graded Hammer», ̇ ÍÓÚÓÓÈ ‚ÂÒ Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚Ë¯Ë Á‡‚ËÒflÚ ÓÚ Â 
‡ÒÔÓÎÓÊÂÌËfl.
íÂÏ·˚ Grand Piano 1, 2 Ë 3 ËÒÔÓθÁÛ˛Ú ÌÓ‚˚Â, Ú˘‡ÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚Â Ò˝ÏÔÎ˚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. 
ÇÓ ‚ÂÏfl Ë„˚ Ò ÚÂÏ·ÓÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ  GrandPiano 1 Ë 3 ËÒÔÓθÁÛ˛ÚÒfl ÚË Ò˝ÏÔ·, Á‡‚ËÒfl˘Ëı ÓÚ 
ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Í·‚˯ (‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ÓÒÓ·Ó «ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌË», ÔË Ì‡Ê‡ÚËË Ì‡ 
Ô‡‚Û˛ Ô‰‡Î¸ ‚ÓÒÔÓËÁ‚Ó‰fl˘Â ÛÌË͇θÌ˚È ÂÁÓ̇ÌÒ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ, Ë «Ò˝ÏÔÎ˚ 
ÓÚÔÛ˘ÂÌÌÓÈ Í·‚˯˻, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú ÚËıËÈ Á‚ÛÍ ÔË ÓÚÔÛÒ͇ÌËË Í·‚˯. àÌÒÚÛÏÂÌÚ˚ CLP-F01 
ÔÓÁ‚ÓÎfl˛Ú χÍÒËχθÌÓ ÔË·ÎËÁËÚ¸Òfl Í Á‚Û˜‡Ì˲ ̇ÒÚÓfl˘Â„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ.

MASTER VOLUME

BRILLIANCE

MELLOW

BRIGHT

MIN

MAX

DEMO

METRONOME

START/STOP

TEMPO/FUNCTION

TEMPO
FUNCTION

TEMPO/OTHER  VALUE

- NO

YES 

+

PRESET

USER 1
USER 2

TRACK

1

TRACK

2

START/STOP

REC

USER 3

SONG

GRAND
PIANO 1

CHURCH
ORGAN

STRINGS

E.PIANO

2

E.PIANO

1

VIBRA-
PHONE

HARPSI-
CHORD

CHOIR

E.BASS

SPLIT

VARIATION

GRAND
PIANO 2

GRAND
PIANO 3

JAZZ

ORGAN

WOOD
BASS

VOICE

GUITAR/

CLAVI.

ROOM
HALL 1
HALL 2
STAGE

CHORUS
PHASER
TREMOLO
DELAY

HARD
MEDIUM
SOFT

ON

REVERB

EFFECT

TOUCH

TRANSPOSE

PHONES

SPEAKER

AUX  IN

AUX  OUT

L/L+R

R

L/L+R

R

LEVEL FIXED

L

R

TO HOST

HOST  SELECT

MIDI

MIDI

PC-2

Mac

PC-1

OFF

ON

NORMAL

(HP. SW

)

THRU

OUT

IN

MASTER VOLUME

BRILLIANCE

MELLOW

BRIGHT

MIN

MAX

DEMO

METRONOME

START/STOP

TEMPO/FUNCTION

TEMPO
FUNCTION

TEMPO/OTHER  VALUE

-

 NO

YES 

+

PRESET

USER 1
USER 2

TRACK

1

TRACK

2

START/STOP

REC

USER 3

SONG

GRAND
PIANO 1

CHURCH

ORGAN

STRINGS

E.PIANO

2

E.PIANO

1

VIBRA-
PHONE

HARPSI-

CHORD

CHOIR

E.BASS

SPLIT

VARIATION

GRAND
PIANO 2

GRAND
PIANO 3

JAZZ

ORGAN

WOOD

BASS

VOICE

GUITAR/

CLAVI.

ROOM
HALL 1
HALL 2
STAGE

CHORUS
PHASER
TREMOLO
DELAY

HARD
MEDIUM
SOFT

ON

REVERB

EFFECT

TOUCH

TRANSPOSE

[METRONOME]

ìÔ‡‚ÎÂÌË ÙÛÌ͈ËflÏË 
ÏÂÚÓÌÓχ (ÒÚ. 31).

[DEMO]

ÑÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÏÂÎÓ-
‰Ë˛ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË 
‚ β·ÓÏ ÚÂÏ·Â (ÒÚ. 18).

[MASTER VOLUME]

ê„ÛÎflÚÓ „ÓÏÍÓÒÚË 
(ÒÚ. 13).

[BRILLIANCE]

ê„ÛÎflÚÓ flÍÓÒÚË Á‚Û͇ (ÒÚ. 24).

è‡ÏflÚ¸ ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ 50 Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ.

ùÚ‡ ÒÂ͈Ëfl ‰‡ÂÚ ‚‡Ï ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÎÛ¯‡Ú¸ ˝ÚË ÔÂÒÌË, ÛÔ‡ÊÌflÚ¸Òfl 
ÔË ÔÓÏÓ˘Ë Û‰Ó·ÌÓÈ Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËË, Á‡ÔËÒ˚‚‡Ú¸ Ë 
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË (ÒÚ. 19–22, 32–38).

[REVERB] / [EFFECT]

ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ Â‚Â·Â‡ˆËË 
(REVERB) Ë ˝ÙÙÂÍÚÓ‚ (ÒÚ. 24, 25).

[TRANSPOSE]

à„‡fl ̇ ÚÂı Ê ҇Ï˚ı 
Í·‚˯‡ı, ÏÓÊÌÓ 
ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ 
‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ 
Í·‚ˇÚÛ˚ Ú‡Í, ˜ÚÓ·˚ Ó̇ 
ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ ‚˚ÒÓÚ 
Á‚Û͇ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ 
ËÎË Ô‚ˆ‡ (ÒÚ. 27).

[TOUCH]

íÓÌ͇fl ̇ÒÚÓÈ͇ ˜Û‚-
ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ
̇ʇÚËfl (ÒÚ. 26).

[SPLIT] 

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Ë„‡Ú¸ ‚ ‡ÁÌ˚ı ÚÂÏ·‡ı 
Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË (ÒÚ. 29).

ê‡Á˙ÂÏ ÔÓ‰Íβ˜ÂÌËfl ÒÚ‡Ì-
‰‡ÚÌ˚ı ̇ۯÌËÍÓ‚. èË Ëı 
ÔÓ‰Íβ˜ÂÌËË ÓÍÛʇ˛˘Ë Ì 
ÛÒÎ˚¯‡Ú ‚‡¯Û Ë„Û (ÒÚ. 13).

Ç˚Íβ˜‡ÚÂθ ‚ÒÚÓÂÌ-
Ì˚ı ‰Ë̇ÏËÍÓ‚ (ÒÚ. 13).

ê‡Á˙ÂÏ ÔÓ‰Íβ˜ÂÌËfl 
Ó·ÓÛ‰Ó‚‡ÌËfl 
Á‚ÛÍÓÁ‡ÔËÒË (̇ÔËÏ 
χ„ÌËÚÓÙÓ̇) ‰Îfl 
Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó 
ËÒÔÓÎÌÂÌËfl (ÒÚ. 52).

ùÚÓÚ ‡Á˙ÂÏ Ë ÒÂÎÂÍ-
ÚÓÌ˚È ÔÂÂÍβ˜‡ÚÂθ 
ÔÓÁ‚ÓÎfl˛Ú ̇ÔflÏÛ˛ 
ÔÓ‰Íβ˜‡Ú¸Òfl Í èä ‰Îfl 
ÒËÌÚÂÁËÓ‚‡ÌËfl ÏÛÁ˚ÍË 
Ë ‰Û„Ëı Á‡‰‡˜ 
(ÒÚ. 54–57).

Ç˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ ‰Îfl 
ÔÓ‰Íβ˜ÂÌËfl Í Clavinova 
ÛÒËÎËÚÂÎfl, ÏËͯÂÌÓ„Ó 
ÔÛθڇ, ÏËÍÓÙÓ̇, 
„ÓÏÍÓ„Ó‚ÓËÚÂÎfl ËÎË 
Ó·ÓÛ‰Ó‚‡ÌËfl 
Á‚ÛÍÓÁ‡ÔËÒË (ÒÚ. 53).

ê‡Á˙ÂÏ ÔÓ‰Íβ˜Â-
ÌËfl MIDI-ÛÒÚÓÈÒÚ‚ 
‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl 
MIDI-ÙÛÌ͈ËÈ 
(ÒÚ. 47-49). (é· 
ËÌÚÂÙÂÈÒÂ MIDI 

➝ 

ÒÚ. 51)

TEMPO [

▼

] [

▲

]/FUNCTION

èË ÔÓÏÓ˘Ë ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ 
ËÁÏÂÌflÚ¸ ÚÂÏÔ (ÒÍÓÓÒÚ¸) ÔÂÒÌË 
Ë ‚˚·Ë‡Ú¸ ÔÓÎÂÁÌ˚ ÙÛÌ͈ËË 
(ÒÚ. 39–50).

äÌÓÔÍË ‚˚·Ó‡ ÚÂÏ·‡

Ç˚·Ë‡ÈÚ ËÁ 28 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl 
ÚÂÏ· Grand Piano (ÒÚ. 23). åÓÊÌÓ Ú‡ÍÊ 
ËÒÔÓθÁÓ‚‡Ú¸ ‰‚‡ ÚÂÏ·‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ 
(ÒÚ. 28).